Who is considered the king of gospel music? Born in Chicago, Cleveland began singing as a boy soprano at Pilgrim Baptist Church where Thomas A. Dorsey was minister of music and Roberta Martin was pianist for the choir. He strained his vocal cords as a teenager while part of a local gospel group; this was said to contribute to the distinctive, gravelly voice which became a hallmark of his later in his career. As a teenager, Cleveland was a part of a missionary group, Soul Winners for Christ which was created by his teenage friend Jessie Jimerson Phillips. Phillips would go on in later years to write Roberta Martin’s last recorded song, “I Have Hope”. Soul Winners for Christ also included a young Richard D. Henton and was headquartered at Chicago’s Greater Harvest Baptist Church; Louis H. Boddie was pastor. The change in his voice led Cleveland to focus on his skills as a pianist, and later as a composer and arranger. Also produced and co wrote songs with Aretha Franklin for her multi award and multi million sales best selling album Amazing Grace. With song that included “Precious Memories”, “God will take care of you” and “Mary Don’t You Weep”. The Gospelaires In 1950, Cleveland joined the Gospelaires, a trio led by Norsalus McKissick and Bessie Folk. His arrangements modernized such traditional standards as “(Give Me That) Old Time Religion” and “It’s Me, O Lord”. After the trio disbanded, an associate of the group, Roberta Martin, hired him as a composer and arranger. The song that brought Cleveland tremendous fame was his rendition of “Peace Be Still”. Albertina Walker & The Caravans Cleveland went to work with childhood friend Albertina Walker, founder of The Caravans, as a composer, arranger, pianist, and occasional singer as well as a narrator. The Caravans became the launching pad for today’s gospel legends. Besides Cleveland, the group counted among its membership several gospel luminaries including Shirley Caesar, known as the First Lady of Gospel; Cassietta George, who co-wrote some of the group’s best hits; Delores Washington; Josephine Howard, mother to R&B artist Miki Howard; Inez Andrews, whose song “Mary, Don’t You Weep” became a staple in the industry; Dorothy Norwood, known as Gospel’s Greatest Storyteller; James Heron; Loleatta Holloway, who became a legendary dance recording artist in the late 1970s; and several others. In November 1954, Walker provided Cleveland the opportunity to do his very first recording. By staying out of the studio for a while, she convinced States Records to allow him to record with her group. He continued to record with The Caravans until States closed down in 1957.Cleveland would later reunite with Walker in the late 1970s with two album releases: Reunion, released in 1977, and the iconic classic Please Be Patient With Me, released in 1979 with the Trinity All Nations Choir of Chicago. This album earned Walker her first gold record. In 1959, he recorded a version of Ray Charles’ hit “Hallelujah, I Love Her So” as a solo artist. By 1960, Cleveland, who had incorporated blues riffs in his work – and what Anthony Heilbut described as “sheer funkiness” – had become associated with a new tenor in gospel music. He became known by more than just the professionals within gospel music with his version of the Soul Stirrers’ song, “The Love of God”, backed by the Voices of Tabernacle from Detroit. The success and sensation of the song’s recording led to a record contract with an historic label that would change his life forever. Savoy Records James Cleveland signed with the historic jazz label Savoy Records in 1962, going on to release a huge catalog of soul gospel recordings from that year until his death in 1991, many of which were recorded in a live concert setting. The live concert recording staple started with Reverend Lawrence Roberts, pastor of the First Baptist Church in Nutley, New Jersey, home of the famous Angelic Choir. Roberts liked the idea of capturing worship in song live on a recording where the listeners can feel and become of a part of the service. Working with Savoy’s executive producer Fred Mendelsohn, Cleveland and the Angelic Choir of Nutley released two albums before recording the iconic masterpiece, Peace Be Still, in September 1963, which sold thousands of copies at that time and garnered Cleveland his first gold album. Peace Be Still also stayed on the Billboard charts for at least fifteen years after its release. The Cleveland Singers Cleveland moved to Los Angeles to become Minister of Music at Grace Memorial Church of God in Christ, where he attained even greater popularity working with keyboardist Billy Preston and the Angelic Choir of Nutley, New Jersey. He returned to touring with the newly organized James Cleveland Singers, which included Odessa McCastle, Georgia White, Eugene Bryant, and Billy Preston, among others. In 1964, Cleveland re-organized The James Cleveland Singers, which included Odessa McCastle, Roger Roberts, and Gene Viale (who was the first Latin-American to integrate soul gospel and sing with the Cleveland Singers). In 1965, Cleveland added Clyde Brown and Charles Barnett to his group, which by then was traveling extensively throughout the United States and abroad into the late 1960s, performing in all major venues. This collaboration produced such recordings as “Heaven That Will Be Good Enough For Me”, “Two Wings”, and “The Lord Is Blessing Me Right Now”. Other singers were added in later years, including Marva Hines and renowned soprano soloist, Cleo Kennedy. They were mainstays until Cleveland’s death in 1991. The Southern California Community Choir Cleveland capitalized on his success by founding his own choir, the Southern California Community Choir. After being nominated numerous times in previous years, James won his first Grammy Award with the Southern California Community Choir in 1975, for his 1974 album, In the Ghetto. He recorded several albums with SCC between the years of 1970 and 1990. Their most successful albums were the 1979 Grammy-nominated release, It’s a New Day, featuring the industry’s signature staple, “God Is”; and their 1981 release, Where Is Your Faith; among many others. His final Grammy Award was issued posthumously after his passing in 1991, for his final album with SCC, Having Church, which features Cleveland’s iconic rendition of Tramaine Hawkins’ signature “What Shall I Do?”, written and composed by Quincy Fielding. Cornerstone Institutional Baptist Church In November 1970, Cleveland founded his own ministry and church, Cornerstone Institutional Baptist Church, in Los Angeles which grew from ten to thousands of members throughout the remainder of his life. His first album with the church choir, The Voices of Cornerstone, was released in 1980, which featured a wonderful rendition by Cleveland of “Jesus, Lover of My Soul”, and the title track, “A Praying Spirit”, written by Elbernita “Twinkie” Clark and recorded by The Clark Sisters. The church choir’s second album, My Expectations, was released in 1981 to moderate acclaim. By the time of his death the church membership was over 7,000. James Cleveland Presents From the 1970s until 1990, Cleveland would bring together a number of artists to back him on appearances and records. He also continued to introduce, appear, and record with some of the most notable gospel choirs and independent artists of the time – many of whom became legends in their own right including The Donald Vails Choraleers (Detroit); The Harold Smith Majestics, with whom he recorded the classic “Lord, Help Me to Hold Out”; The Los Angeles Gospel Messengers, the last choir to record with Cleveland before he passed; New Jerusalem Baptist Church Choir from Flint, Michigan; Henry Jackson; The Craig Brothers; The Salem Inspirational Choir from Omaha, Nebraska, with whom he recorded the iconic staple “I Don’t Feel Noways Tired”; Richard “Mr. Clean” White; Bishop Albert Jamison & the Triboro Mass Choir; Issac Whittmon; Marva Hines; Debbie Austin; The Fourth of May; Quentella Caldwell; Sara Jordan Powell; The Philadelphia Mass Choir; The Houston Mass Choir; The New Jersey Mass Choir; and the award-winning Charles Fold Singers, from Cincinnati , Ohio, with whom Cleveland recorded five albums, including the Grammy-winning 1979 release, Make Me an Instrument.